HighResMac.de review of ceramic disc slim feet.

FULL REVIEW – http://www.highresmac.de/ton-fuesse-franc-audio-accessories-ceramic-disc-slim-feet/


HIFIKNIGHTS.COM – 11.2017 – WOOD BLOCK RACK

Latest review of Wood Block Rack by HiFi Knights

„Every piece of the puzzle in front of me became slightly more distinguishable and less attention and effort had to be given in order to single-out individual instruments or sounds. Yet all of that happened effortlessly and naturally. I got the impression that the Wood Block Rack didn’t serve as a magnifying glass for music (which oftentimes leads to tonal balance upped a bit), but simply sorted things out, filtered the sound in a way and in effect has made it this much more refined.”

FULL REVIEW – http://hifiknights.com/reviews/franc-audio-accessories-wood-block-rack-13/


HIGHFIDELITY.PL –  2017 – MODULAR RACK

FULL REVIEW – http://highfidelity.pl/@main-737&lang=en

PEŁNA RECENZJA – http://highfidelity.pl/@main-2967&lang=


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HIFI REVIEW – 04-2015 – CERAMIC DISC FAT FOOT

FULL REVIEW


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SOUNDREBELS – 2014 – WOOD BLOCK SLIM PLATFORM

PEŁNA RECENZJA – http://soundrebels.com/artykuly/recenzje/item/451-franc-audio-accessories-wood-block-slim-platform


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HIGHFIDELITY – 09/2014 – WOOD BLOCK SLIM PLATFORM

Platforma Pawła Skulimowskiego jest wykonana bezbłędnie. To cecha charakterystyczna wszystkich jego produktów; raz dostrzeżona i doceniona, będzie potem punktem odniesienia dla wszystkich innych producentów. Tak było w roku 2010, kiedy po raz pierwszy rozpakowałem antywibracyjne podstawy jego autorstwa, tak jest i dzisiaj.

PEŁNA RECENZJA – http://highfidelity.pl/@main-2183&lang=


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HIFI STATEMENT – 2014 – CERAMIC DISC CLASSIC, CERAMIC DISC SLIM FOOT

„Die Franc Audio Accessories Ceramic Disc Classic bringen im meinem Raum sowohl unter Röhren- als auch Transistorendstufen eine deutliche Verbesserung des Klanges im Vergleich mit der Aufstellung direkt auf dem Boden. Aber auch der in vielen Vergleichen optimierten, bisherigen Platzierung sind sie überlegen. Die Wirkung der Ceramic Disc Slim Feet ist für mich – da wiederhole ich mich gerne – schlich sensationell: Dank ihrer liefern meine Lautsprecher deutlich mehr Detailinformationen. Sie sind für mich schlicht unverzichtbar. Ein wenig verhaltener formuliert: unbedingt ausprobieren!”

FULL REVIEW – http://www.hifistatement.net/tests/item/1330-franc-audio-accessories-ceramic-disc-classic-slim-foot


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SOUNDREBELS – 2014 – CERAMIC DISC CLASSIC
„The impression of dealing with something exclusive, original and special is there from the very beginning.
That was also my approach, accompanied with high expectations, when I placed the Ceramic Disc Classic under the player. And I was not disappointed. The background became much darker, but this was not by rough erasure of further planes, but by moving the invisible wall behind the musicians far away and placing there something like antimatter, black light or just plain nothingness. You could just hear the incredibly natural propagation of sounds, truthful reproduction of the acoustic environment of the individual recordings, and the bubble that condensed the sound somewhere on the borders of perception was not there anymore. All, even the smallest nuances gained crystal clearness, what improved the resolution, palpability and realism of the sound. A certain digital mist, which I believed was a part of the sound, was removed – there was no granulation, no blurring, that prevented to fully enjoy the structure of the human voices, or the shape of the instruments. And I am not talking about over-sharpness of the edges, because I did not notice that, but about everything becoming clearer.
The removal of the artifacts allowed to achieve higher than before sound volumes without ears, and what is even more important, other family members, complaining. The reduction of the amount of distortion created by vibration acted like plugging in a better, more resistant to clipping, amplifier. The sound did not hurt, even in moments, when Metallica on their symphonic album “S&M” and Apocalyptica “Wagner Reloaded” caused my listening room to shatter. The Ceramic Disc Classic do not smoothen and better the sound, as it might have seemed. They just prevent any degradation, any contamination from vibration come to the loudspeakers. They are a very effective barrier from external vibration, trying to enter our precious gear from the outside, and prevent interference between various elements of our audio chain. I think they deserve a frank recommendation.”

FULL REVIEW – http://soundrebels.com/artykuly/recenzje/item/306-franc-audio-accessories-ceramic-disc-classic-english-ver

PEŁNA RECENZJA – http://soundrebels.com/artykuly/recenzje/item/294-ceramic-disc-classic


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6MOONS – 05/2013 – CERAMIC DISC CLASSIC
„In conclusion we can say that the clever way of constructing a multi tiered and multi facetted vibration control device is highly effective. Next to isolating the device which is supported from its underlying surface the footer also neutralizes casing vibrations both without altering the sound’s tonality.”

FULL REVIEW – http://6moons.com/audioreviews/franc/1.html


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HIGHFIDELITY – 02/2012 – CERAMIC DISC CLASSIC, CERAMIC DISC FAT FOOT, CERAMIC DISC SLIM FOOT, COMPOSITE ONE FAT PLATFORM, COMPOSITE ONE SLIM PLATFORM

FULL REVIEW – http://highfidelity.pl/@kts-262&lang=en

PEŁNA RECENZJA – http://highfidelity.pl/@main-1192&lang=


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HI-FI CHOICE – 01/2012 – CERAMIC DISC CLASSIC
„We haven’t changed our mind: in a well-combined system stands, platforms and other anti-vibration accessories should only be the cherry on the proverbial cake. In this case however, we admit this is a delicious cherry.”

FULL REVIEW – http://f-franc.com/hifi-choice-ceramic-disc-classic-test/


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AUDIO – 10/2010

CERAMIC DISC CLASSIC

„Their performance is as fantastic as their construction. They are not radical but correct and balanced, improving a lot of aspects. Levels in all of the sub frequencies remain unchanged and are each more accurate, deeper and fuller. Ordinary stands tend to result in a more delicate sound, subduing the upper mid-range and limiting dynamics, which is not the case this time. I was most impressed by the bass though: slightly shortened decay and better defined attack.”